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一首缓慢、庄严的降b小调合奏开场，包含了该曲的所有素材。第二段陈述，由第一小号和长号演奏反旋律。长笛的快板为开场画上了句号，接着是快板，由开场主题的片段构成。缓慢的合唱最后一次被带回来，然后用史密斯自己的乐器--圆号演奏原反旋律，奏出快板Vivo。这首曲子可以在音乐会和比赛中轻松演奏。

A slow, solemn chorale opens in b-flat minor, which contains all of the material for the piece. The second statement ...查看全文

一首缓慢、庄严的降b小调合奏开场，包含了该曲的所有素材。第二段陈述，由第一小号和长号演奏反旋律。长笛的快板为开场画上了句号，接着是快板，由开场主题的片段构成。缓慢的合唱最后一次被带回来，然后用史密斯自己的乐器--圆号演奏原反旋律，奏出快板Vivo。这首曲子可以在音乐会和比赛中轻松演奏。

A slow, solemn chorale opens in b-flat minor, which contains all of the material for the piece. The second statement with a countermelody played by first trumpet and trombone. A flute cadenza brings the opening to a close, and an Allegro is followed with fragments from the opening theme. The slow chorale is brought back one last time; the tune is then played Allegro Vivo, with the original countermelody played by Smith’s own instrument – the French horn. A piece easily playable for concert and contest. 收起全文

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